Michael Haas contextualizes the life and music of Korngold:
There is much that speaks for Korngold being hailed as ‘the father of the Hollywood Sound’ – but there is also a good deal of hyperbole connected with this observation. Fellow Viennese Max Steiner was certainly the progenitor of the dedicated Hollywood score, and other composers – both immigrant and American-born, developed ideas that resulted in the cumulative ‘Sound’ that defined the sweep of Hollywood films from the 1930s onwards. Korngold’s contribution is perhaps symbolic as much as anything. Until his arrival, no serious composer had shown an interest in American cinema.
Read the rest on Haas’ Forbidden music blog.