James Loeffler, reflecting on Charles Krauthammer’s view of Pro Musica Hebraica’s mission:
As word grew of the Pro Musica Hebraica concert series, entreaties and proposals began to roll in from across the world. Inevitably, the media also came calling in search of a great story about how one of their own took up this quixotic cultural mission far removed from the day-to-day battles over American politics, Israel, and the Middle East, and even his own stated first love, baseball. Some saw it as an extension of his quiet generosity as a Washington philanthropist, in which capacity he helped to launch a local Jewish day school and other area educational programs. Others imagined it was somehow related to a preemptive defense of Israel. Neither was the case, at least from my perspective. For in our years of conversation about Jewish music, Charles Krauthammer the musical impresario revealed himself to be motivated by a remarkably simple set of convictions about the ennobling virtues of historical curiosity and the impoverishment of the American Jewish imagination.
Read the rest of James’ beautiful tribute to Charles at the Jewish Review of Books.